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Alfred Hitchcock's powerful, complex psychological thriller, Psycho (1960) is the "mother" of all modern horror suspense films - it single-handedly ushered in an era of inferior screen 'slashers' with blood-letting and graphic, shocking killings (e.g., Homicidal (1961), The Texas Chainsaw Massacre (1974), Halloween (1978), Motel Hell (1980), and De Palma's Dressed to Kill (1980) - with another transvestite killer and shower scene).
While this was Hitchcock's first real horror film, he was mistakenly labeled as a horror film director ever since.
Violence is present for about two minutes total in only two shocking, grisly murder scenes, the first about a third of the way through, and the second when a Phoenix detective named Arbogast is stabbed at the top of a flight of stairs and topples backwards down the staircase.
The frenetic lines appear as prison bars or vertical city buildings.
It was advertised as: The nightmarish, disturbing film's themes of corruptibility, confused identities, voyeurism, human vulnerabilities and victimization, the deadly effects of money, Oedipal murder, and dark past histories are realistically revealed.
Its themes were revealed through repeated uses of motifs, such as birds, eyes, hands, and mirrors.
Symbolic imagery involving stuffed birds and reflecting mirrors are ever-present.
Although it's one of the most frightening films ever made, it has all the elements of very dark, black comedy.
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There, the camera pauses at the half-open window - and then voyeuristically intrudes into the foreground darkness of the drab room. It's a hot, Friday afternoon [although December, it undoubtedly looks like a summer day] and they are obviously in the midst of a "secretive" affair in Room No. She loves Sam but they can only furtively see each other during his business trips.