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As he walks out you can already see Spinks start to tremble in his shorts.

It seemed to be a bit of a challenge to get ahold of Donald Tump to get the go-ahead for this to be released, and they wouldn’t agree to let you put out the loop as it was, so we’re left with the original commercial with Gene Hackman’s voice over top. I actually contacted one of Trump’s former ad executives (code name “Ivanka”) to get their feelings on how to proceed and that resulted in my sending you the radio spot.

This track is the perfect backdrop for one of MMA's signature walkouts. But when the jackboots, attack dogs and mental-hospital escape sirens finally give way to the music, it's still pretty darn raw. I don't see how anyone could just pop this song into their i Pod and enjoy that experience, but hey, it's all subjective at the end of the day. Surrounded by the Pride pyrotechnics and screaming Japanese legions, Fedor was the calm in the middle of the storm and the storm itself.

Intimidating music can be daunting but approaching art on an artists terms is usually rewarded in a way non intimidating music cannot. Fw-300 #ya-qn-sort h2 /* Breadcrumb */ #ya-question-breadcrumb #ya-question-breadcrumb i #ya-question-breadcrumb a #bc .ya-q-full-text, .ya-q-text #ya-question-detail h1 html[lang="zh-Hant-TW"] .ya-q-full-text, html[lang="zh-Hant-TW"] .ya-q-text, html[lang="zh-Hant-HK"] .ya-q-full-text, html[lang="zh-Hant-HK"] .ya-q-text html[lang="zh-Hant-TW"] #ya-question-detail h1, html[lang="zh-Hant-HK"] #ya-question-detail h1 /* Trending Now */ /* Center Rail */ #ya-center-rail .profile-banner-default .ya-ba-title #Stencil . Bgc-lgr .tupwrap .comment-text /* Right Rail */ #Stencil . Fw-300 .qstn-title #ya-trending-questions-show-more, #ya-related-questions-show-more #ya-trending-questions-more, #ya-related-questions-more /* DMROS */ .Jamaican reggae royalty and toasting pioneer Damian Marley weaves tales of the mean streets in what is probably the most famous song from the toasting genre (basically just Jamaican hip-hop). Just super-aggressive metal from the the venerable lords of the genre down in metal-mad Brazil.I don't want to give anything away, but those tales I mentioned? The part that makes the song truly intimidating is the woman singing in the chorus: "out in the streets, they call it murrrrr-derrrrrrr."No question this song is made more intimidating by the man using it, but this dark and brooding beat would instill fear if Christian Morecraft used it. The tribal chants at the beginning and the blast beats in the middle both work well with Thiago Silva's savagery in the cage.

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Neither of us thought that Trump had any claim to the music but I wanted to be somewhat sure that it wouldn’t come back to bite Trump’s former advertising people.

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