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starts with an incredible, uncomfortable act: a woman leaving her child.From there, in 1998, the novel hurtles forward, set in Jamaica and New York, as mother and daughter, Patsy and Tru, live out separate fates that are connected by blood, but also by huge, unseen forces of politics, class, and race.There’s Rachel, a part-time editor at a feminist glossy who desperately wants to break through the YA novel scene; the congenitally lucky Sunny, who has married rich and is the kind of woman who simply deems herself “a creative”; and poor Geraldine, who is getting over a devastating breakup.As successes ebb and flow and alliances strain and stretch, Mechling zooms in on the constrictor knot of adult female friendships.But, just as collegiate first impressions can mutate and evolve, the book—along with its characters—grows increasingly complex, charting the way that the bonds forged in those heady moments when people are permitted to reinvent themselves can become the defining ties of adult life.The book is structured around a series of misdeeds that cause tension and rifts amid the foursome—the last of which turns the book into something like a domestic thriller, inflected with the trauma of early motherhood.Vuong’s deeply felt work may just be the first great fiction of this modern, homegrown travesty, but it’s also a story that is enriched by both the beautiful and the ugly currents of American history.—Chloe Schama, Senior Editor is a renowned hepatologist, recently separated from his wife and suddenly caring for his 8-year-old son and tweenage daughter.

Below, 10 of the best summer books for you to delve into: (Scribner), two families live side by side in a leafy, middle-class bedroom community north of New York City—the Gleesons and the Stanhopes, uneasy Irish-American neighbors whose two young children, Kate and Peter, are falling in love.Along with the legends of Truman Capote and Eloise, Satow’s book tells of Betty Friedan’s all-female lunch in 1969 (an event that caused the flustered maître d’ to order the table removed from the premises), and time-travels from the original Plaza to the opening of the existing version, in 1907, up to the present, showing it’s always been an establishment in flux.What began as a restaurant underneath the lobby was soon intentionally flooded and turned into a frozen ice-skating rink in the summer months; a few years after that, it became a racetrack for the owner’s nephew to race his miniature electric car.Brodesser-Akner is a master of zeitgeisty pith, and Toby, while occasionally too saintly for realism’s sake, is a delightful mensch.But the real standout is Brodesser-Akner’s often hilarious grasp on what makes a certain kind of Manhattanite tick.

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